Lyrical Breakdown of Attendance - A Journey through Words and Rhymes

Welcome to the detailed analysis of "Attendance" on Lazyjot. Here, we unravel the lyrical complexity and artistic brilliance that define this iconic song.

• Lyric Overview: Witness how KRS-One weaves words into powerful emotions and vivid imagery. From intricate rhyme schemes to compelling storytelling, every line in "Attendance" is a testament to masterful songwriting.
• Rhyme and Rhythm Analysis: Our Lazyjot editor highlights the ingenious use of multi-syllabic rhymes and the rhythm pattern that KRS-One employs. Understand the construction of each verse and how it contributes to the song's overall impact.
• Syllable Pattern Insights: Dive deeper into the structural elements of the lyrics. See how the syllable count varies across the song, adding a unique rhythm and flow to KRS-One's narrative.

This lyrical analysis of "Attendance" not only celebrates KRS-One's artistic prowess but also serves as an educational tool for aspiring songwriters. If this analysis inspires you and you'd like to see your own songs analyzed in this way, join the Lazyjot community. Register at Lazyjot and start exploring the full potential of your lyrical creativity. Turn your thoughts into rhymes and your rhymes into songs with Lazyjot!

Who was, who was, who was Who was the first to flash the heat on the cover? Who was the first crew to go against another? Who was the first to go Acapella on a video replay? Who was the first to lose a DJ? Who was the first to teach at Yale? Who was the first to hit that hip-hop reggae on the nail? Who was the first to say, "Stop the violence And teach that real bad boys move in silence"? You're soon to see the mind bendin' rhyme weapon Get more busy than two-two-three-double-nine-seven All these rappers, swear they the best I know whatchu thinkin' about, where's KRS? Eighty percent of these rappers fake they shit The other twenty percent they goin' upstate and shit There's no way out except knowledge and wisdom I got it so I spit 'em you ain't got it you gotta get 'em Who was the first to produce mix and write At the same time up in the club rockin' the mic? Who was the first to have a DJ and a side man? The first to say, "What is hip-hop?", I am Who was the first to produce gangster shit? Put out, gangster hits with a gangster click? Not no prankster shit, Steady B, Mad Lion Just-Ice, Shabba Ranks and shit My Channel is Live, my only battle is Jive MC to MC, you won't survive You'll be censored 'cause my Crew is 2 Live I ascend like Christ and watch you die Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop I'm like Noah, I'm takin' 'em, two by two I took, them and them and I'll take, you and you Be I'm right or be I'm wrong, you'll see I'm tight with this mic You should be like, "B I'm gone", but you still in my face Neo I'm not your girl all that ice and thug life, that's not my world I'm the teacher but you still can't see 'Cause while you respect Tupac, Tupac respected me Another thing, don't ever show me another ring Remember you Rudy Ray Moore, I'm Martin Luther King Everything you bring sounds horrendous You need repentance 'fore I take attendance Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop Breakers, MC's, writers, beat-boxers DJ's, hip-hop, hip-hop