Lyrical Breakdown of All Eyes on Me (feat. Keri Hilson) - A Journey through Words and Rhymes
Welcome to the detailed analysis of "All Eyes on Me (feat. Keri Hilson)" on Lazyjot. Here, we unravel the lyrical complexity and artistic brilliance that define this iconic song.
- Lyric Overview: Witness how Clipse weaves words into powerful emotions and vivid imagery. From intricate rhyme schemes to compelling storytelling, every line in "All Eyes on Me (feat. Keri Hilson)" is a testament to masterful songwriting.
- Rhyme and Rhythm Analysis: Our Lazyjot editor highlights the ingenious use of multi-syllabic rhymes and the rhythm pattern that Clipse employs. Understand the construction of each verse and how it contributes to the song's overall impact.
- Syllable Pattern Insights: Dive deeper into the structural elements of the lyrics. See how the syllable count varies across the song, adding a unique rhythm and flow to Clipse's narrative.
This lyrical analysis of "All Eyes on Me (feat. Keri Hilson)" not only celebrates Clipse's artistic prowess but also serves as an educational tool for aspiring songwriters. If this analysis inspires you and you'd like to see your own songs analyzed in this way, join the Lazyjot community. Register at Lazyjot and start exploring the full potential of your lyrical creativity. Turn your thoughts into rhymes and your rhymes into songs with Lazyjot!
(I know she wants to move it, that girl can't help herself)
Life as we know it begins on Friday night
(I know she wants to move it, that girl can't help herself)
Bright lights, big city
(I know she wants to move it, that girl can't help herself)
Rubber band stacks blowing in the wind
(I know she wants to move it, that girl can't help herself)
All for the love of girls shaking they asses, yeah
I keeps that dirty money, I'm talkin' fast cash
I'm talkin' razor shaving
I'm talkin' duffel bags
I'm talkin' you can count it, papi, it's all there
I'm talkin' hooking up that Slum Dog Millionaire
I like the fast girls, who like them fast cars
Who rather sell it to ya, then ask for more tomorrow
I know those Y-S-L platforms ain't coming cheap
And plus I like to show I gets it from the streets
(One, two, three, four)
I'm out here dressed like I belong on TV
Settle for less? Hell no, that wouldn't be me
Hey now, all eyes on me
Hey now, I skipped the line for free
Bass loud, how it got to be
Hey now, all eyes on me
I see your name in lights, your face on the big screen
Let's cruise drop the top, you deserve to be seen
Rockin' them Prada goggles, you're my next top model
Your style like Jackie O, now just sit back and let 'em marvel
I know you see this paper, I bet you count my cash
Countless trips to Saks with her make her tote Birkin bags
Nuvo on ice is served, let that quench your thirst
Damn right them bitches hate, 'cause they just had it first
I'm out here dressed like I belong on TV
Settle for less? Hell no, that wouldn't be me
Hey now, all eyes on me
Hey now, I skipped the line for free
Bass loud, how it's got to be
Hey now, all eyes on me
Jockin' my swag, I'll pop tags you'll be borrowin'
No drinks in here, y'all thirsty we be swallowin'
Don't matter where I go, them haters be followin' me, so hey now
I know what girls like
Know what you lookin' for
Them tights is fittin' right
You hike them up some more
You pulled that hair back
Stick that ass out for them boys to see
You damn near broke your heel from posin', tryna catch a G
Gucci, Fendi, Louis
Your man don't do that, do he?
Now, take the stage the floor is yours, come on and make a movie
Work that camera mama, rip that runway, baby
Now pop your collar, see them dollars is why they hate me
I'm out here dressed like I belong on TV
Settle for less? Hell no, that wouldn't be me
Hey now, all eyes on me
Hey now, I skipped the line for free
Bass loud, how it's got to be
Hey now, all eyes on me
She move that, uh
She move that, uh
Yessir, uh
She move that, uh
Yessir