Lyrical Breakdown of Award Tour - A Journey through Words and Rhymes
Welcome to the detailed analysis of "Award Tour" on Lazyjot. Here, we unravel the lyrical complexity and artistic brilliance that define this iconic song.
- Lyric Overview: Witness how A Tribe Called Quest weaves words into powerful emotions and vivid imagery. From intricate rhyme schemes to compelling storytelling, every line in "Award Tour" is a testament to masterful songwriting.
- Rhyme and Rhythm Analysis: Our Lazyjot editor highlights the ingenious use of multi-syllabic rhymes and the rhythm pattern that A Tribe Called Quest employs. Understand the construction of each verse and how it contributes to the song's overall impact.
- Syllable Pattern Insights: Dive deeper into the structural elements of the lyrics. See how the syllable count varies across the song, adding a unique rhythm and flow to A Tribe Called Quest's narrative.
This lyrical analysis of "Award Tour" not only celebrates A Tribe Called Quest's artistic prowess but also serves as an educational tool for aspiring songwriters. If this analysis inspires you and you'd like to see your own songs analyzed in this way, join the Lazyjot community. Register at Lazyjot and start exploring the full potential of your lyrical creativity. Turn your thoughts into rhymes and your rhymes into songs with Lazyjot!
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) New York, NJ, NC, VA
(Right, true)
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) Oaktown, LA, San Fran’, St. John
(Right)
People, give your ears, so I be sublime
It’s enjoyable to know you and the concubines
Niggas, take off your coats
Ladies, act like gems
Sit down Indian style as we recite these hymns
See, lyrically, I’m Mario Andretti on the MOMO
Ludicrously speedy or infectious with the slow-mo
Heard me in the ‘80s, JBs on “The Promo”
In my never-endin’ quest to get the paper on the caper
But now, let me take it to the Queens side
I’m takin’ it to Brooklyn side
All the residential Questers who invade the air
Hold up a second, son, ‘cause we almost there
You can be a black man and lose all your soul
You can be white and groove, but don’t crap the roll
See, my shit is universal if you got knowledge of dolo
Or delf or self, see there’s no one else
Who can drop it on the angle, acute at that
So, who that, do that, do-do that, that, that (Come on)
Who that, do that, do-do that, that, that (Yeah, okay)
Do that, do that, do-do that, that, that
I’m buggin’ out, but let me get back, ‘cause I’m wettin’ niggas
So run and tell the others, ‘cause we are the brothers
I learned how to build mics in my workshop class
So give me this award and let’s not make it the last
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) Chinatown, Spokane, London, Tokyo
(Right, true)
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) Houston, Delaware, DC, Dallas
(Right, true)
Back in ‘89, I simply slid into place
Buddy, buddy, buddy all up in your face
A lot of kids was bustin’ rhymes but they had no taste
Some said Quest was wack, but now is that the case?
I have a quest to have a mic in my hand
Without that, it’s like Kryptonite and Superman
So, Shaheed, come in with the sugar cuts
Phife Dawg’s my name, but on stage, call me Dynomutt
When was the last time you heard the Phifer sloppy?
Lyrics anonymous, you’ll never hear me copy
Top notch, baby, never coming less
Sky’s the limit, you gots to believe up in Quest
Sit back, relax, get up out the path
If not that, here’s the dance floor, come move that ass
Non-believers, you can check the steps
I roll with Shaheed and the brother Abstract
Niggas know the time when Quest is in the jam
I never let a statue tell me how nice I am
Comin’ with more hits than the Braves and the Yankees
Livin’ mad phat like an over sized mampi
The wackest crews try to diss, it makes me laugh
When my track record’s longer than a DC-20 aircraft
So next time that you think you want somethin’ here
Make somethin’ dif’ or take that garbage to St. Elsewhere
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) SC, Maryland, New Orleans, Motown
(Right, true)
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) Chinatown, Spokane, London, Tokyo
(Right, true)
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) Houston, Delaware, DC, Dallas
(Right, true)
(Right, true) We on a world tour with Muhammad, my man
(Right, true) Goin’ each and every place with the mic in their hand
(Right, true) New York, NJ, NC, VA
Seven times out of ten, we listen to our music at night
Thus spawned the title of this program
The word, “maraud”, means to loot
In this case, we maraud for ears