Lyrical Breakdown of Doomsday - A Journey through Words and Rhymes
Welcome to the detailed analysis of "Doomsday" on Lazyjot. Here, we unravel the lyrical complexity and artistic brilliance that define this iconic song.
- Lyric Overview: Witness how MF DOOM weaves words into powerful emotions and vivid imagery. From intricate rhyme schemes to compelling storytelling, every line in "Doomsday" is a testament to masterful songwriting.
- Rhyme and Rhythm Analysis: Our Lazyjot editor highlights the ingenious use of multi-syllabic rhymes and the rhythm pattern that MF DOOM employs. Understand the construction of each verse and how it contributes to the song's overall impact.
- Syllable Pattern Insights: Dive deeper into the structural elements of the lyrics. See how the syllable count varies across the song, adding a unique rhythm and flow to MF DOOM's narrative.
This lyrical analysis of "Doomsday" not only celebrates MF DOOM's artistic prowess but also serves as an educational tool for aspiring songwriters. If this analysis inspires you and you'd like to see your own songs analyzed in this way, join the Lazyjot community. Register at Lazyjot and start exploring the full potential of your lyrical creativity. Turn your thoughts into rhymes and your rhymes into songs with Lazyjot!
I used to cop a lot
But never copped no drop
Hold mics like pony tails, tight, and bobble ops
Stop and stick around
Come through and dig the sound
Of the fly brown six-o sicko psycho who throws his dick around
Bound to go three-plat
Came to destroy rap
It's a intricate plot of a b-boy strat
, Cats get kidnapped
Then release a statement to the press - let the rest know who did that
Metal Face terrorists claim responsibility
Broken household name usually said in hostility
Um... what... it's MF, you silly
I'd like to take "Mens to the End" for two milli'
"Doo-doo-doo-doo-doo!" That's a audio daily double
Rappers need to fall off just to save me the trouble, yo
Watch your own back
Came in and go out alone, black
Stay in the zone - turn H2O to Cognac
On Doomsday
I wrote this one in B.C. D.C. O-section
If you don't believe me, go get bagged and check then
Cell number 17, up under the top bunk
I say this not to be mean, wish bad luck or pop junk
Pop the trunk on See-Cipher-Punk, leave him left scraped
God forbid, if there ain't no escape, blame MF tape
Definition "super-villain": a killer who love children
One who is well-skilled in destruction, as well as building
While Sidney Sheldon teaches the trife to be trifer
I'm trading science fiction with my man the live lifer
A pied piper holler a rhyme, a dollar and a dime
Do his thing, ring around the white collar crime
Get out my face, askin' 'bout my case, need toothpaste
Fresher mint, monkey-style nigga get [Denta-Dent]
And dope fiends still in they teens, shook niggas turn witness
Real mens mind their own business
That's the difference between sissy-pissy rappers that's double-dutch
How come I hold the microphone double-clutch
C.O.'s make rounds, never have 'ox found
On shakedown, lock-down, wet dreams of Fox' Brown
On Doomsday
Some M-er F-ers don't like how Sally walk
I'll tell y'all fools it's hella cool how ladies from Cali talk
Never let her interfere with the Yeti ghetto slang
Nicknames off nipple and tip of nipples metal fang
Known amongst hoes for the bang-bang
Known amongst foes for flow with no talking orangutans
Only gin and Tang
Guzzled out a rusty tin can
Me and this mic is like yin and yang
Clang! Crime don't pay, listen, youth
It's like me holding up the line at the kissing booth
I took her back to the truck, she was uncouth
Spittin' all out the sunroof, through her missing tooth
But then she has a sexy voice, sound like Jazzy Joyce
So I turned it up faster than a speeding knife
Strong enough to please a wife
Able to drop today's math in the 48 keys of life
Cut the crap far as rap
Touch the mic, get the same thing a Arab will do to you for stealing
What the devil? He's on another level
It's a word! No, a name! MF - the super-villain
Doomsday